“Spoor” doesn’t make much of a secret about its politics, or the whodunit. There’s mention here of a “holocaust” too, but in the context of animals. Best known for the Oscar-nominated “Europa, Europa,” about a Jewish boy in Nazi Germany who conceals his Jewishness, Holland adapted the screenplay for “Spoor” from a book by Olga Tokarczuk (who shares a screenwriting credit). (Duszejko’s theory is that they’re being killed by vengeful animals.) The suspense-goosing score is all staccato strings, but there’s never that much uncertainty about what’s going on. After her two beloved dogs disappear and a neighbor - a poacher - is found dead two months later, surrounded by the hoofprints of roe deer, other corpses, all hunters, start turning up with regularity, also near hoofprints. A retired construction engineer who works part-time as an English teacher, she insists on being called by her last name, dabbles in astrology and doesn’t eat meat, in a town where many, if not most, are hunters. In “ Spoor,” a fable-like murder mystery about our mistreatment of animals from filmmaker Agnieszka Holland, Janina Duszejko (Agnieszka Mandat-Grabka) is considered to be something of an eccentric in her Polish village on the Czech border. It’s a character-driven tale about characters who are all complicated, as Troy puts it, and compelling to watch. “Cowboys,” which also features Ann Dowd as the detective pursuing Troy and Joe - acting accolades all around - isn’t a heavy-handed message movie. Outfest, in a debut performance that is affectingly natural and unforced.) Writer-director Anna Kerrigan’s gentle little film switches up stereotypes by not making the Dad the heavy, but “Cowboys” doesn’t exactly demonize Joe’s mother (Jillian Bell) either - at least not terribly, or for terribly long. (Young actor Sasha Knight also took a prize at L.A. That’s mostly thanks to Steve Zahn, who took the best actor prize at last year’s Tribeca Film Fest for his portrayal of Troy, a goofy, grown-up kid with a mood disorder who almost instantly accepts things when his tween Josie decides to become Joe. I wish I could shake their hands.“Queer contemporary outlaw western” may be a mouthful, but “ Cowboys” - the story of a Montana father who takes off on a horse for the Canadian border with his trans son when the child’s mother refuses to accept the boy’s authentic self - goes down sweetly. And boy did the fireworks light up my soul. For a viewer like myself I had to watch it 3 times since I really wanted to understand the deep message. There is a subtle funny line at least every few minutes. The odd thing there is a tremendous amount of sacrifice made all the way throughout the movie. This a fresh way to look into our hearts and learn to fight as a band for our survival.
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This is a brand new way to look at human struggles and how to beat the odds. This wasn't just a Sci-Fi-Western mix film. Family values soared throughout this tale. As far as Christian lessons carefully placed the writers could not have done a better job. There are basic morals taught in this film if the viewer would jus pay attention. Not only was the base of the story well thought out the cast, crew and other members of this film worked really hard to entertain us. So would have many other cowboy legends such as Roy Rogers. John Wayne would have been proud of this movie.
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After buying the DVD and watching this move 3 times I realized that I would have paid full price to watch this movie not once, but twice. Reviewed by rlmarr 10 / 10 This is the best Sci-Fi Western to date. United against a common enemy, they will prepare for an epic showdown for survival.
With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former opponents-townsfolk, Dolarhyde and his boys, outlaws and Apache warriors-all in danger of annihilation.
As this gunslinger slowly starts to remember who he is and where he's been, he realizes he holds a secret that could give the town a fighting chance against the alien force. Now, the stranger they rejected is their only hope for salvation. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known. But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. What he discovers is that the people of Absolution don't welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford). The only hint to his history is a mysterious shackle that encircles one wrist. A stranger with no memory of his past stumbles into the hard desert town of Absolution.
where a lone cowboy leads an uprising against a terror from beyond our world.
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